Qty : Please note there is a week delivery period for this title. Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the s up to the campaigning Zapatista films of the s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution ; the student movement and massacre in ; and, finally, the more recent Zapatista Rebellion present. Analyzing films such as Vamanos con Pancho Villa , El Grito , and Corazon del Tiempo , the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation.
These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.
Thornton casts her expert eye over filmic engagement with definitional conflicts in Mexican history. Revolution and Rebellion in Mexican Films is informative, accessible, original and sophisticated. We learn of a wide range of films that depict the Mexican Revolution, the student movement, and the Zapatista rebellion.
This book is essential and enjoyable reading for anyone interested in Mexican history and film. It is an important contribution to the understanding of the Mexican cinematic imagination and societal realm. Thornton's book is a valuable addition to the field of Mexican film, and is an essential resource for students and researchers of Latin American, international and transnational film. Holocaust representation in literature, film and memorials, including discussions of bystander complicity and societal responsibilities, testimonial and fictive works by Wiesel and Levi, documentaries and feature films.
Professor Annette Michelson asks me, in her present absence from New York, to answer your most kind forwarding to her and to express her profound thanks. We will conclude with a cinematic exploration of the negative consequences of extreme self-identification with the domestic function as evidenced in the Hollywood film by director Dorothy Arzner entitled Craig's Wife. How to edit your own essays and work with others to improve drafts. How, that is, does where we live and, even more importantly, how we imagine the place in which we live, affect who we are? The first half of the course will be on the poetry of Baudelaire, Rilke, and T.
Television as an industry, a technology, and a cultural object is currently experiencing a period of accelerated change. This is a history course with American television as its subject.
Thus, the course covers the late 19th century through to the present. While the focus is on American television and its related media, the forms these media take occur in the context of other nations, particularly Great Britain, creating their own broadcasting structures.
Study of principally American films, exploring how the medium has shaped and been shaped by cultural perceptions of women. An exploration of representations of gender and identity in contemporary Middle Eastern films by male and female directors reflecting on the impact of modernization, globalization, war and trauma through different visual genres. This course situates the major movements of French cinema in a wide global context that spans from colonization to climate change. We will explore the myriad ways French filmmakers from the silent era to the present have engaged with questions of identity, multiculturalism, otherness, and nation-ness, whether in the form of voyages of exploration, travel narratives, epistolary essays, or tales of diaspora.
A seminar on the major works of modern Chinese literature and cinema from the May Fourth period to the present, with a focus on close reading and visual analysis. This discussion-driven seminar sets aside evaluative considerations of TV in favor of theoretical and critical approaches that challenge widespread assumptions about the medium and expand our understanding of its role in our lives. This course offers an intensive survey of American film history from the beginnings to The course is intended to help students familiarize themselves with canonized works.
Of course, it is impossible to cover the vast purview of American film from the beginnings through the s completely and comprehensively. This course represents a selection of major topics and artists that is supposed to provide students with a basic framework for future studies in American film. The course comprises one unit of a four-semester survey each part of which is free-standing and may be taken separately and independently of each other and in any order, with no prerequisites of the major achievements of the most important artistic movement of the last sixty years in American film—the independent feature filmmaking movement, in which American narrative filmmakers broke away from the financial, bureaucratic, and most importantly imaginative influence of Hollywood values and entertainment story-telling methods to create the most important works in American film—a series of generally low-tech, low-budget, DIY, personal-expression films, made and distributed more or less outside of the mainstream exhibition system.
This section of the survey will focus on the foundational masterworks created by the first generation of American independent feature filmmakers in the period running from approximately through These are works that changed film history at the point they were made and continue to inspire generations of American independent filmmakers. This course is designed to educate you in the art of film and television criticism and to give you extensive practice in writing about film and TV in a way that balances analysis and lively writing.
In this course, you will write several film and TV reviews, each covering a different type of film or TV show. You will be reviewing films currently playing in local theaters and TV shows currently available on broadcast, cable or other internet platforms.
This course explores the relationship between the moving image and urban spaces in the 20th and early 21st century. We continue into the post-World War II era with films rendering the impact of the war on European cities through the stylistic paradigms of realism and expressionism.